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Persistent Ghosts of Memory

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The other day I finally decided to check out that "My Guests" function on LJ and realized, dear goddess, I'm becoming one of THOSE people.  A Stats Hussy.  (As my friend Lady M told me years ago, "A whore does it for money, a hussy does it for free.")  Not that there's anything wrong with that, or anything.
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Laughing Dead Things

Where the Plot Puppy Gambols, Our Muses Will Follow



Dawn Summers writes the Great American Memoir.


1) Funniest AU non-penguin Buffyverse fanfic of 2013? In my School Hard/Chosen  post the other day  rebcake  tossed out a witty suggestion about Buffy & Spike's final conversation in the Hellmouth taking a very different turn. beer_good_foamy   took up the challenge and ran with it  in his usual brilliant way; here's the longer finished version, "Not in the Brochure" .  I haven't laughed this hard since - since I read his newest AU penguin fic two weeks ago.  Start polishing those fanfiction awards statuettes buttons now, y'all.

2) eilowyn ' s recent post "Thoughts on Spuffy and Fandom"  sparked a fascinating conversation about the 'ship wars,  focused specifically on the labels and the invention of  "smushnames" Bangel, Spuffy, etc.  (I'm going to copy/paste my smushnames rant from the thread because I'm lazy: I hated "bennifer" etc long before I got into fandom because I find the concept loathesome - merging two people into one identity. It's ironic because I think the show is pretty consistent on the idea that losing oneself in another person is a bad idea. Buffy and Angel are a direct critique of this notion - magical snow notwithstanding.)  But I enjoy reading about the history of this fandom, in part because it makes me grateful to be a newbie fan and have missed the bloodbath. Kumbaya and all that jazz.

Somewhere along the way comlodge mentioned "Bike" as a tongue-in-cheek alternative to Spuffy and I - did the thing I promised I'd never do and wrote a prompt about Buffy and her menz and bikes, with lots of fluffy-Spuffy. If I were as brilliant as BGF I'd have actually turned it into a story but since I'm not I'm letting comlodge 's muse do the work for me. (I'm sneaky that way.) She gave me leave to repost it here so someone else could also have a crack at it. So without further ado - or a don't:

Spike and Buffy (post-series) with one of those old-fashioned "bicycles built for two" (which Spike would want to give a go because that was state-of-the-art technology in 1880) but they'd argue over who got to sit in front and where they were even going; then she'd insist on having her own bike, and he'd' say "Fine, whatever! I didn't want you breathing down my neck anyway!" or snark about her bad driving:"You want to get yourself killed? Your funeral, Slayer." (Substitute "motorcycle" there and it still works.) Then they'd try to outrace each other and end up pretty much in a draw but squabble over who beat who by a hairsbreath. And then tease each other and laugh about it, and shag in a semi-public place, and kill the demons who interrupted them, then shag some more. (Because what's fanon Spuffy w/out snark and laughter and demon-killing and copious shagging? Bangel.  Just sayin'.)

OTOH If it were Angel he'd insist on sitting up front, because he wants to be the chivalrous BDH, and she'd go along with it for a while because it's nice to let someone else take over for a while - until she realized he was lost and had to take over from him, despite his objections to the contrary. ("Angel, this is the tenth time we've passed that hill. Yes I know it's the same one!")


Whereas Riley would completely insist that Buffy sit up front and of course he didn't mind at all because he only wanted what she wanted and he loved her strength and competence - then spend the entire trip grumbling just under his breath that he wanted to sit on the front seat and she would have been able to read his mind and know what he wanted if she really truly loved him.


I forgot Parker, btw - Buffy would make the arrangements, be waiting with the bikes and the picnic basket and he'd never show up, then give her some crap excuse a day later about visiting his mom and "I'm sorry you assumed I wanted to go out on a picnic with you, I didn't think you'd take it so seriously."

You can tell by the relative lengths of the various paragraphs where my heart lies, right?  If not I'll gladly explain - at length, with finger-puppets or flashcards, your choice.  Anyone want to add Scott Hope to the mix be my guest, because I don't give a damn and can't be bothered to rewatch S3 just for him.  But if memory serves, he's kind of a proto-Riley anyway. Have at it, kids.
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"School Hard" / "Chosen"



Apparently, Buffy isn't the only Summers woman who is going to be "a fireman [sic] when the floods roll back."

ETA: beer_good_foamy reminded me that Joyce's threat to Spike, "You get the HELL away from my daughter!" (Rock on, Joyce!) could be seen as applicable to Buffy's actions in Chosen, if we consider the new Slayers as her metaphorical "offspring".  (What's the plural for "childe"?)

 Or, Kendra was her "daughter", Faith her "granddaughter", then Buffy and Faith got together and now the new Slayers have two mommies - which. ok, is kind of incest-y, but no worse than the Fanged Four, right?

 And Willow is their midwife. Something like that.
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Quote du Jour: "A Labyrinth of Voices"

"There's a labyrinth of Voices inside your head, a counterpoint of self-awareness and the remembered sayings of your guides and mentors, who don't always agree. Sometimes, you wish you could go back and ask your teachers again to guide you..."



"... but up there, onstage, exactly where they always wanted you to be, you must simply find your way. They have given you all the help they can; the only person who can solve the labyrinth of yourself is you."


- Jeremy Dink, "Every Good Boy Does Fine," The New Yorker, April 8, 2013; pg 43.

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Fandom Awards and Self-Nominations : Some thinky-thoughts from spankedbyspike

spankedbyspike , one of the mods/admins of the No Rest for the Wicked Awards, continued our conversation re: the concept of self-nominations in fandom awards a few days ago and I thought their remarks worth sharing (with their kind permission):


"Outside of   angelus2hot  who contact the nominees and receive the nominations, none of us know who self nominate or who is nominated by others. It's a conversation that doesn't even occur, so for those of you hesitating to self nominate you shouldn't. Also, not all of us have a lot of friends out there that know about the Awards and will think about nominating folks from their friend's list. Therefore there are amazing works online never nominated for some misgavings about self-nomination... We are all poorer for it.



I hope people reading this will stop hesitating and nominate their creations as well as those that impacted them. The Awards are simply a safe place to discover new art,fiction, meta that can touch us, make us think, make us live by proxy with characters and situations that bring new depths to our understanding and love of those fandoms and at times of ourselves. Let's all enjoy it!"
http://wicked-awards.livejournal.com/33488.html?thread=834000#t834000




Some of my friends in this fandom have confessed to me privately that they've self-nominated one of their works, as if it were a dirty little secret.  And my response has been to reassure them that it's ok because that doesn't affect the judging processes, and  most importantly, they are a terrific writer and have a right to be proud of their work. Do I then apply that encouragement to myself?  Oh hell no, honey: "Oh I couldn't because that would be immodest and...unseemly."  I think I may actually have done so once in the past year, maybe.  (Maybe not, I don't remember.  Either  1) I've suppressed the memory, 2) my ADD is getting worse in my old age, or  3) a bit of both.  Take your pick.) Then if/when I do I go overboard in nominating work by other fans, as in "way more than the judges' minimum requirement". The Wicked Awards, for example, ask that if you self-nom, you nominate at least three other works as well. In this fandom the problem is not coming up with enough nominees but selecting a few from an embarrassment of riches. It's as if somehow this will counterbalance the terrible sin of pride I've committed.



Spike: "You've nominated how many other peoples' work?  One self-nomination doesn't tip the scales!"

(Image "borrowed" and played around with from Shadow of Reflection)





Ok, time for a Reality Check(TM): I'm a fan of a show that includes murder, torture, abuse of power, necrophilia etc as everyday occurrences - hell, I live in a world in which murder, torture, abuse of power, necrophilia, etc are everyday occurrences. (I actually have no idea about that last one, btw.  But there's some pretty freaky people in this world.) And I'm worried about being perceived as "unseemly"?  What is up with that, really?



As I'm pretty new to fandom and not the only person who has wrestled with this issue, I'd love to hear your thoughts and perspectives on this issue.  Agree or disagree with spankedbyspike , and in either case, why?  Have you ever self-nominated your own works, and how did you feel about it?  Is the reluctance to do so a "gender thing" (traditionally girls have been conditioned to be "modest" about their accomplishments), a cultural thing, or a more general "personality thing"?



(And, completely OT: Why in the name of all that is unholy do I have to put an ocean of space between every single paragraph on LJ? *le sigh*)
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Linkin' Thinkin' - Buffyverse Femmeslash (always a good thing) and Comics Reviews from Stormwreath

Whilst I work on more "Ted" and Buffy - Joyce meta (aka, procrastinate like a mad thing):

Mystical Recharge  by stormwreath - Season 9 Willow/Dawn, mature. story that began during a conversation he and I had in his review of S9.19 "Welcome To the Team" about Willow's return to Buffy's story: "Giving the mystical battery inside Dawn a magical recharge sounds exactly like something she'd do to save the day. (It also sounds like the plot of a PWP femslash smut fic.)" he said. I challenged him to write it; he cheerfully complied. DO NOT read this whilst eating or drinking unless you have a death wish of some sort.

FYI: I don't enjoy the comics (to put it mildly). I do enjoy his reviews.  In fact, I prefer his reviews; the comics aren't canon to me but they are to him, and so he is able, in his descriptions, to find the "Buffy of it" in ways that I'm unable to see or feel for myself. It's a bit like being a kid, asking an adult to "read me a story" long after I can damn well read it for myself and have the entire book memorized anyway. The point isn't the text by itself, but the storyteller, and the three-way interaction: text, teller, listener (or reader) that makes storytelling and sharing with one another so important.
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Quote du jour, non-buffyverse. Sort of. (But we'll get there)

FYI - This may be a bit ramble-y and incoherent; I can't tell. I had my first epidural for a back injury today, so if this is a mess, blame the steroids.  I know I will.


"I think there's a mythology that if you want to change the world, you have to be sainted, like Mother Teresa or Nelson Mandela or Archbishop Tutu.  Ordinary people with lives that go up and down and around in circles can still contribute to change." -- Jody Williams (activist, Nobel Prize winner, quoted in Time Magazine, 03/25/13)



I read this today and was reminded of something either the_royal_anna or angearia wrote about Buffy, in particular S6.  I feel a bit embarrassed that I can't find the quote or remember which one of them said it.  I wouldn't confuse their writing styles when I see them set side-by-side, but their essays, musings and observations both occupy the a similar space in my mind when it comes to Buffy fandom: lyrical, deeply personal, optimistic, compassionate, perceptive and even joyous.  It's a space I need to return to when I get too caught up in the snark, irony, anger, and disatissfaction  - in fandom, in the verse, and in RL; the space that reminds me why I fell in love with the Buffyverse, and Buffy Summers, to begin with.

The observation I have in mind was how S6, and the really the show itself, was a reminded that ordinary people can achieve extraordinary things, even in the midst of great travail and despite pain and difficulties. *

And that's part of the reason why Buffy is My Hero, and why I love the Buffyverse** : Willow and Spike and Xander, Anya and Tara, Giles and Joyce and Dawn, and the rest.*** Because their mistakes do not completely define who they are, but become a part of who they are, inseparable from the moments they get it completely "right". But then again it's rarely as simple or easy as that, otherwise there would be no struggle; all we'd have to do to get from point A to point B would be to follow a handy little  roadmap. And we can define point A to point B as "childhood to maturity",  "ignorance to insight" "from morning until night",  "conflict to resolution".

That's something I need to keep reminding myself, especially when I feel particularly "small" and yes, even worthless.  When I feel as though my mistakes and failures - what I didn't achieve, who I didn't become - dominate my sense of "self". They're all I can see in and of myself, and I'm certain they're all anyone else sees.  When I forget, in the moments of doubt or self-recrimination, or hopelessness, that  there were moments that came before that, and that will come afterwards. That this too, shall pass.  Just as before, just as it always has.


* My apologies to the author herself for the incredibly clumsy and botched attempt to paraphrase an extraordinarily eloquent sentence. And forgetting who the author is to start with.

**Yes, that includes Kennedy. In fact, I'm starting to think she's genuinely awesome in her own way.

***Except for Angel and Riley. Feel sympathy for them at times?  Of course.  Love?  Nope, not feeling it.  The heart doesn't want what it doesn't want.


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Only Five Months Until the Next Round of Nominations for the Wicked Awards

Reply from spankedbyspike to my question re: when the next round of nominations for the No Rest For The Wicked Awards would be, and why they have a category for meta essays:

"I never wrote a Meta in my life but I taught for so long that I realized we definitively needed some essays on the site to complement the other work contributed by the fans....The folks working on Metas really deserve much more love than they usually get and we are proud to be the only fan Award Site so far to give them their dues....."

"The next round starts August 1st 2013, so it will be in just a few months. If you want things submitted be ready as you have until August 31st to nominate, be nominated or self-nominate and bear in mind if you have entries in more than one categories, you have more opportunities to strike a chord with different judges and therefore to win."


That's only five months away so mark your calenders; I know I've already got at least one possible nominee in mind. Someone who isn't me. Honest.
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Squee for Thee, Not Me

So yesterday I posted about the Absence of Light Awards,  and gave a special shout-out to "Le Petit Mort"  by   snogged . Then I remembered to check out the No Rest For The Wicked Awards  winners list and the first thing that caught my eye:  "Le Petit Mort" won for Best Drabble. Well, of course it did. (And I really don't mean to play favorites, btw, because both AoL and Wicked had so many wonderful entries this year it makes my head hurt trying to keep up with them all.)

Unlike AoL, the Wicked nominee and winners lists include a lot of names I'm not familiar with, in part because it awards works in multiple fandoms, but I do see some friends on the winners list in the fiction categories:  velvetwhip  (Gabrielle), snowpuppies , secondaltovalyssia,  and pickamix.  Congratulations to all of you, dears!  And special congratulations to the winners in the Meta Category (Not Fade Away):


The winner, "And When the Sky was Opened"  by eleusis_walks is the first (only?) in-depth fandom examination of Cordelia Chase's character arc I've come across, and was completely new to me before this round of awards. (How many metas about Queen C have you read before?  Exactly.)  The runners-up were two of my favorite, absolutely essential metas about the Buffyverse: "Rules of Engagement: Violence and Hyperreality in the Buffyverse"  by lostboy_lj , and "Buffy, the Vampire Slayer vs Buffy the Vampire Slayer"  by beer_good_foamy .


All the nominees were fantastic but these choices feel particularly right - any one of them could have been "first place", so to me it feels like a three-way tie, in terms of quality. I cannot recommend any of them highly enough - and if you've chatted with me for more than five minutes you've probably seen me link to lostboy's and beer_good_foamy's metas and said "Yes, THIS."  They've helped shaped, define and deepen my understanding and enjoyment of the Buffyverse, of Buffy Summer's story AND they've both got wit and style to spare.  (Smarts plus humor = that guy or gal you used to date in college and sort of regret now that you let them get away.  Or maybe you don't but you had a damn fine time while it lasted.)

*************
Now here's where I'm going to be a bit whing-y and indulgent if you'll bear with me: My own "Dopplegangers (Xander)" meta was in the running in this category, and I knew perfectly well that I was not going to win because the competition was formidable.  (Full disclosure: I nominated several of my competitors, because my meta was the only nominee at the time and who the hell wants that?  That's not a contest. Ironically, "And When the Sky was Opened" was one of the few I didn't nominate, which means - there are other people out there reading meta! So it's all good.)  But that didn't stop a teensy little part of my heart from wanting to win.

Brain: "You're not going to win, your meta is really rough and sloppy compared to these others, no way you're in the same category. Don't even think about it, kiddo."
Heart: "I know, I know, of course you're right. But I can't stop hoping just a teensy bit - what? No I'm not crossing my fingers honest I'm not."

Now here's the funny thing - and yes, I've got a point here somewhere - my fic "Untitled" has been nominated in two awards, won two "silver medals", basically, and I have no idea who nominated it, who voted for it, or why it got nominated in the first place.  And I mean that - none. I read the other stories I was competing against and was certain who was going to win; and it wasn't going to be me. It's like pennies from Heaven falling into my lap that I didn't expect and don't understand but, gee, I'll take it anyway and thank you. But the meta category? Of course I knew I wasn't going to win that.

Why the disconnect?  Because I think I'm as adept at judging the quality of fiction as nonfiction, at least in terms of other people's work.  Is it because I consider myself primarily a nonfiction writer as opposed to fiction?  Am I not as good of a judge of fiction as I think I am?  Could the fact that most of my reading at home (on the bookshelf) is nonfiction skew my judgement? Am I just overthinking the whole damn thing?

In any case, I'm going to get cracking this year because I already have my sights on the next round of Wicked meta awards.  Which is probably a huge, huge mistake - pride goeth before the fall and all that jazz. But I plan to have a damn fine time of it anyway.
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Squee and Self-Pimpage Ahoy!

1) "Untitled" (AU the Gift)" was voted Runner-Up in the Best Drabble category in Round Four of the Absence of Light Awards! THANK YOU to the judges and readers who voted for me, and an extra special THANK YOU to   brutti_ma_buoni and snowpuppies , whose stories provided the inspiration for mine.


The award button for it is really visually disturbing and may be a bit squicky/triggery for some folks (hey, this IS the AoLA we're talking about here) so I'm including it AFTER the cut.  You're welcome.







I didn't prepare an acceptance speech because I really did not expect that, at all.  This is not false modesty talking; if I had been a judge in that category I wouldn't have voted for my own story because there were so many fantastic ones to choose from.  The other award winners in the Drabble category include some of the best Buffyverse stories I've come across, each one gorgeous and orignal: "Daisies" by spike_1790 , a delicately-drawn and compassionate portrait of Dawn's "bad habit", tied as Winner with   "Stolen Screams" by Jane Davitt, a very original take on Angelus' torture of Giles through Spike's POV. "Le Petit Mort" by snogged , a hypnotic "prose-poem" about complicated connection between the First Slayer and an OC Slayer the First Evil, won Fan Fave in the Drabble category.


The entire winners list includes some of the finest writing and most accomplished writers in this fandom; Best Author alone reads like a Who's Who of Buffyverse writers.  Congratulations everybody!  (More hugs, cookies and cocoa!)  Special shout-out to folks on my flist, including( I'm afraid I'll miss somebody): snowpuppies , velvetwhip , beer_good_foamy , coalitiongirl , brutti_ma_buoni , aadler , naughtynyx88 , deird1, pickamix, quinara, lynnenne , angearia - and so on and so forth. Hugs, cookies, and hot cocoa with extra mashmallows for everybody!


2) More shameless self-pimpage: Speaking of angearia, her comments in 2maggie2 's episode analysis of "Ted" were the catalyst for my last post, the meta about the episode for the Jossverse Big Damn Love Fest (DW version, sans screencaps.) I'm dying to respond but I have to wait until tomorrow when I have the 'puter to myself all day.  I honestly wasn't sure about "putting myself out there" in that way - in fact, I was a bit terrified; I couldn't think of anyone I felt comfortable enough going to as a beta or even asking "Is this ok? Is it too personal? Am I going to create a shitstorm?" But the responses the post has gotten so far have been absolutely amazing. Thank you.  You've reminded me that sharing stories is important and necessary; that thinking we're alone and no one else could possibly understand is the part of The Lie that keeps us separated from one another and interferes with our self-acceptance (Hey, do I detect the theme of another Buffy meta here?)  You ROCK.  This fandom ROCKS, even when, like the Scoobies themselves, it drives me up one side the wall and down the other.


And it also confirms one simple fact: I LOVE Buffy Summers, even when (and maybe because) it's difficult for me to love myself - and I love her from the first moment we see her in SD to that final hard-won smile in the sunlight. NO FUCKING APOLOGIES.

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Buffy the Vampire Slayer 2 x 11: "Ted"


Originally posted at the Jossverse Big Damn Love Fest: http://big-damn-fest.dreamwidth.org/3818.html
***
Warning and Disclaimer: I have thoughts - and a lot of feelings - about "Ted".  This is quite serious, and more than a little personal; some very triggery subjects will be discussed. I’m not kidding. If this isn't your thing, by all means feel free to hit the back button right now, and no hard feelings.  If you chose to continue otherwise, considered yourself welcome as well as forewarned. But please leave your weapons at the threshhold before you come in. Then wipe your feet on the mat, and help yourself to cookies.  (Or hot cocoa with extra marshmallows.) Also, I apologize for the formatting but LJ is being very disobedient tonight.

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And then there's the simple truth that when you engage in violence, accidents happen. We aren't robots. We can't turn off and turn on with the flip of a switch--and if we could, then we'd be okay with murdering people to gain our own ends. That fact that Buffy's violence is motivated by love is essential; it is both dark and light--she dances on the razor edge and she only has her instincts to guide her. - angearia
http://2maggie2.livejournal.com/33960.html


***
In 1958 Lana Turner’s 14 year-old daughter Cheryl Crane stabs her mother’s boyfriend to death, allegedly in an effort to protect her mother.  (The man, Johnny Stompanato, had gang connections and a history of violence behind him.)  The court rules it justifiable homicide.


***


Thirty years later another teenage girl, oldest of four siblings, reads about Cheryl Crane, admires Crane’s courage, and wonders if she would be able to do the same, if the need arose. Her (second) stepfather is a large and powerful man; her mom is barely 5’3”.  Would a baseball bat be sufficient?  A kitchen knife? She decides on a rusty WW1-era bayonet and hides it by her bed. Her mom finds it and removes it without a word.


***


In the end, it’s unnecessary anyway; her mom divorces her husband and her daughter can breathe again, a little, and home becomes a safe place to be for the first time in years. It’s not that the girl wanted to hurt her stepfather.  She knows that would be a horrific act; she also knows that there are people out there, other girls, for whom such things are unimaginable.  But she’s been surrounded by violence her entire life, and so it’s not off the table. What is unimaginable in all her dark reveries, risking death for the sake of her family, is the notion of defending  herself from her stepfather. Not once does that occur to her.

***

In 2012 the same girl, now a woman, finally watches Buffy the Vampire Slayer for the first time. She enjoys the cleverness and subversion of the “high school is hell” metaphors, the witty dialogue, the genre tropes and subversions. She is entertained and amused, even moved at times, but she doesn’t really identify with the pretty, perky ex-cheerleader at the center of the story.  It doesn’t really touch her own experiences, and isn’t remotely scary, even when Buffy goes down to meet her death at the hands of the Master for the first time. (There are a total of seven seasons, after all; ergo, nothing to worry about.)


***


And then the woman watches “Ted” and for a few moments, she is terrified - for Buffy, and for the girl who hid a bayonet by her bed all those years ago. Memories she’s (thought she’s made) made peace with and packed away tumble out unbidden, like an overstuffed dresser drawer.  She knows that her experience is not identical to Buffy’s, after all, and there’s a relief in that; the girl she once was couldn’t fight back, couldn’t protect her herself much less her family, and never even dared to protest or sass back; Buffy can, and does. She has resources that girl of long ago, and most abused children, can never dream of - confidence, physical strength, strength of character and will, resourcefulness, as well as devoted friends who come to her aid.


***


But Buffy Summers is just a girl, after all, a 16 year old girl operating on instinct. She’s been given a “license to kill” (demons) and almost zero guidance in how to use it.  The Watchers’ Council cares nothing for her welfare, or for the countless girls who have preceded her; what matters is that the Slayer does her job properly and follows the arcane rules imposed upon her, traditions handed down through the centuries.
BuffyFrightened_Ted_LJ_300pixels
Ted Buchanan, as it turns out, would make an ideal Watcher by the Council’s standards, barring his use of physical violence, and even that’s not a sure thing. After all, the original Shadowmen chained a girl and forced the power of the demon upon her; the Watchers' Council may be more “civilized” on the surface, but they uphold a terrible tradition. The Slayer is used, discarded and replaced when she rebels or no longer suits the councils needs. Surely more personal abuse and violations of Slayers by individual Watchers is not beyond the pale.


***


Likewise Ted demands obedience from a string of women, discarding and destroying them when they disobey him or are no longer useful. How many Slayers throughout time have come before Buffy (later Kendra and Faith)? How many other people has Ted hurt or killed, women who wouldn’t follow the program, in addition to the four wives in his closet?  The Watcher’s Council and Ted both operate within closed systems; they may allow minor changes and adjustments so long as the original paradigm is preserved.


***

Of course Buffy defeats Ted, motivated not just by her Slayer instincts but the instincts of a daughter and friend to protect the people she loves. She’s the Hero, after all. And yet she suffers for her actions; social ostracization, guilt, and shame. Heros may not end up in court charged with justifiable homicide but there are still consequences to bear. (There are always consequences.)


***


Or at least there are if the Hero is a teenage girl. Violence from men is so common as to be unremarkable; violent acts committed by women are still considered shocking. It’s no accident that at the end of the episode Buffy and Joyce agree to a rewatch of Thelma and Louise, a movie that disturbed and polarize audiences because two female protagonists commit violent acts against male characters onscreen; the same violence by male protagonists is a commonplace in movies, and a guarantee of box office sales.


***


So Buffy succeeds but at a cost.  Her mother is safe but heartbroken and terribly lonely, unable to even look her daughter in the eye. Whatever her personal animosity towards Ted, much of it justifiable in light of his behavior, the last thing on earth Buffy ever wanted to do was to hurt her mother. The bond between them, one that suffered fissures long before “Ted Buchanan” came into their lives, is further damaged.  And yet they love one another, deeply, no one questions that, and there’s the rub.  The anger and love are warped and woven into one another so tightly that what poisons their bond also strengthens it.


***


And so it is with her best friends, with her mentor, with everyone who comes within her circle. Violence begets violence. It stains and spoils everything it touches; it cannot be put back into a tidy little box, locked up and tossed away.  We can atone for it but we cannot undo it.


***


But this a fictional story and in fiction, unlike real life, there must be some catharsis for the viewer, a chance to release the anxieties the story has provoked, to relax and breathe again. And so it is for the characters themselves, or at least it seems at the moment.  The episode ends happily, one might say conventionally, enough. More dramatically than the story of girl with the bayonet, perhaps (real life has no resolutions, remember); but Buffy and her mother come to an uneasy, unspoken peace on the back porch, their home (women’s space) reclaimed, and they can breathe again, for a time. Rupert Giles and Jenny Calender share a passionate kiss for the first time, Xander and Cordelia giggle while Buffy averts her eyes. It’s an ending worthy of Shakespearean comedy: All’s well that ends well.
JoyceGiles_Kiss_Ted_Cropped_LJ.Brknscrncps

Except, of course, that we’ve seen the entire series, and we know too much. The moments that made us smile and cheer when we first watched are painful now. (Not as painful as the memory of that bayonet and all it represented, but certainly poignant.) The characters onscreen have the luxury of perpetual innocence; they can’t know yet that Buffy will hesitate to kill her lover and it will cost Jenny her life, and Giles his only chance at love; that Buffy will eventually run a sword through her lover’s heart. The truth of Buffy’s calling will be forced upon Joyce at the worst possible hour and their relationship will be very nearly destroyed.


***


Much has been made of Buffy’s “daddy issues”,  at the cost of the complex mother/daughter relationship, and so scholars and fandom inadvertently repeat the sins of Ted Buchanan, and of the Watchers Council.  We forget, dismiss or overlook the fact that it always comes back to this: the love between a girl trying to grow up in an uncertain and frightening world, and a lonely mother so deeply in denial she cannot see what’s in plain sight before her eyes.


***


And Ted’s fingerprints (do robots have fingerprints?) can be found in the final hours of Buffy’s story when Giles and “General Buffy” and their friends represent the last vestigal traces of the WC, haunted by ghosts and locked into a closed and destructive paradigm. Violence begets violence.


***


In 2012, Buffy became my Hero - by which I mean my fictional hero, my avatar, as opposed to real life heros such as my mother.  (Make no mistake - in her capacity to love and endure, I consider my mother heroic.) My brothers grew up with Spiderman and Batman and Hans Solo; with countless tales of soldiers and kings throughout the ages. I had to wait until I was in my 40’s to find her.


***


Was it worth it the wait? Yes, it most certainly was. Yet I can’t help feel a little wistful that Buffy Summers wasn’t around in the 1970's or 1980’s; I certainly would have loved her then as I do now, if perhaps for different reasons. I can hope that in the years since that at least one other girl or boy, etched with anger and violence, haunted by dreams of murder that are so common as to be unremarkable, has felt just a little less frightened and alone because of her.
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Quickie update - Still time to vote in the Absence of Light Awards

1) What the title says. *points upward* Voting closes for the Absence of Light Awards tonight, Friday the 15th*** at 5:30pm central time. Yep, I'm a nominee in the Drabble category, but there are stories in that cat - and in every category - that are much better. That deserve your love and attention.  That cry out for hugs and comfort.  So go forth and offer to these worthy authors a moment of complete happiness.  (No, not that way.  Ok, maybe that way....)

2) Pain levels are much lower today - maybe that acupuncture treatment helped after all? Perhaps in combination with the meds - any port in a storm will do.

3) A friend is taking me out to breakfast, yay!  It's a much-needed treat, and then I can return, refreshed, to complete that "Ted" meta I've been promising.  'cause breakfast makes everything better.

**Did somebody plan that or is that just an angsty coincidence?  Not that I'm superstitious or anything.
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Meta Much More - or, Recent Fandom Reading

When I posted some of my favorite meta for 2012 on the buffyverse top5 last month, I wrote that I hoped for more of the same high-caliber meta in 2013.  Wish, granted:

"Why the Buffyverse?" by lostboy_lj Inspired by shapinglight 's "fanfic musings" (inspired in turn by brutti_ma_buoni .... and so it goes.  You get the idea.)   He takes on the  question why is anyone still writing Buffy fanfic at all?

"The Monomythology of Buffy"  also by  by lostboy_lj This is already on my best meta of 2013 list. Absolutely essential reading: Buffy's journey through the lens of Joseph Campbell's "The Hero with a Thousand Faces" - a Cliff Notes version but a hell of a lot smarter, and with pretty visual aids.  One of lostboy's talents is laying out complex ideas boiled down to their essential components, with a great deal of wit. I've been linking to this on convo threads all over the place as if it was Apocalypse Season.

Speaking of must-read meta: a conversation between lostboy_lj  and local_max on the Monomythology post inspired max's musings about Ben's literal and figurative role in S5  as a "illusory comfort" and representative of the medical establishment, how he tries to placate Buffy regarding her mother's illness, and how he "self-medicates" to keep the reality of Glory at bay: it’s consistent with a pattern of Ben: he uses deception to placate Buffy (and others) into believing that a real problem, whether it be Glory, the string of crazy people in her wake, or Joyce’s upcoming death (though Ben is not actually aware of the last one), is not a real problem.  Don’t sweat it, no need to prepare (though, it’s not as if preparation is possible): your problem is in good hands. As per usual with max, penetrating intelligence, personal honesty, compassion and intellect come together in a fascinating consideration of a "key" (pun intended) but oft-overlooked character.

And of a more general nature (not specific to this fandom), angearia  has a thing or two to say about "authorial intent" and the complexity of determining who the "author" is, especially in a work such as BtVS in which there are so many hands, so many voices involved in it's creation (writers, producers, actors); a question further complicated (and multiplied to the nth degree) by the presence/participation of the readers/viewers as co-creators of a give work.  She argues passionately that "the reader" is also an author - and no greater example of this can be found than btvs fandom as we engage with the series over time, emotionally and intellectually. Long live the Revolution, indeed.

FYI: I am procrastinating on my "Ted" meta for the Big Damn Lovefest, and everything else on my to-do list, like a mad thing. Pain from a recent injury is about to do me in.
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"The Hours" fanfic (with implied slashy goodness).

Title: The Tides
Fandom: The Hours (2003 movie)
Pairing: Laura Brown/Virginia Woolf
Rating: PG-13
Warnings: None
An AU take on what Laura Brown experiences when she goes to the hotel in the movie. Because I'd only seen the movie the once, I'd completely forgotten that she went to a posh hotel instead of the dingy motel I described. Again - AU.  Humor me

I wrote this story in 2003 but never posted it anywhere; it was inspired by the movie version of "The Hours"; I hadn't yet read Michael Cunningham's novel. When I wrote this I was just emerging from a writer's block of ten years; or more precisely, from a refusal to allow myself to write. The friend to whom I had dedicated this story has been long gone from my life and I'd forgotten it still existed on my harddrive; but Virginia Woolf came up in a conversation kikimay were having recently, and she expressed interest in reading this. Parts of it make me cringe but overall, I can live with it. (What's really freaks me out is how much of this reminds of Buffy, circa S6. *hugs Buffy and Laura*)
"What was the proper ensemble in which to abandon one's family?"Collapse )
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Love For the Big Damn Love Fest





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Sign up to celebrate your favourite episodes!


A handful of March sign-up dates at the Big Damn Love Fest are still available; ETA: April 1st is a "free-for-all".

Big Damn Fest is a month-long multimedia celebration of all things Jossverse. All characters and pairings, gen, het and slash, are welcome. When you sign up, you claim a day when you want to post, and then an episode that you want to post about on that day. Your contribution can be can be fic, graphics, icons, vids, essays, or pretty much anything as long as it has been created specifically for this fest (so no rec-lists, or reposting old fanworks) and related to the claimed episode. As a result, we will (hopefully) have 31 days of Jossverse goodness.







BtVS, AtS, Firefly, Dollhouse, Dr Horrible and Cabin in the Woods are all fair game. "The Avengers" is excluded but crossovers are not, as long as the Jossverse is included.  Some of my favorite writers are participants but most of them are entirely unknown to me which admittedly isn't saying much, given my newbie status in this fandom. (I can't wait to see what snowpuppies  does with "Who are You" - one of my favorite writers covering an episode I love beyond measure?  My squee knows no bounds.)

I snagged March 13th with "Ted", which is an odd choice on the face of it. I've only watched it once, and I'm normally all about the late seasons (5-7). But most of my "favorites" on BtVS had already been claimed; and, I have a rather stubborn fondness for episodes which are either overlooked or underloved in general fandom, of which "Ted" is one. (Others would include "Beer Bad" and "Him", which is my go-to episode when I need a bit of laughter to brighten my mood.)

But Emmie's  (angearia)  commentary and analysis   for the episode  at 2maggie2 's LJ, reminded me that "Ted" represented the very first time that the series spoke to me very directly and literally, apart from the metaphors. It was the point at which began the gradual shift from Willow to Buffy as my primary "avatar" in the series. And it's an episode that I think gets overlooked in part because of the MoTW factor, and because it falls in S2 just before the Angel(us) arc really heats up. This is assuming I don't chicken out on such a personal topic and go with "Him" instead.  So fair warning: expect lots of angst and bring your galoshes.




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A fannish birthday present to me from kerkevik

A couple of weeks ago kerkevik surprised me with an early gift - dedicating one of his short stories "Gazalah" to me.  I have no idea what I did to inspire the gift, but on reading it I had to wonder, how the heck does he KNOW me so well?  We'd exchanged a few comments and conversations, but what did we know of each other, beyond the fact that I'm a lesbian and he's an honorary lesbian?  (I deem it so, therefore he is.)

The story borrows a character from the comics (Satsu) but goes entirely AU otherwise, pairing her with a wife, Gazalah; it has a rich, "barbaric" gorgeousness to it, like a fragment of an epic poem found on an ancient scroll, punctuated with modern references here and there. He captures the essence of love and relationships of all kinds - especially between women - so wonderfully well.  This isn't "slash" (oh how I despise that term btw), this is life, fully realized.
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Watch me toss a fandom thought salad....

Reader (general public) voting for the Absence of Light Awards is still open through March 15; the voting form is here.  So goest thou to vote! (Yes, that was my nod to "The Piano".  One of the best movies of the '90's, and I'll brook no argument on that subject.)

One of the best things about the nominee list is that I get to see, laid out in one place, the tonal range of what people consider "angst": from delicate, subtle melancholy or "watercolor angst" (can I trademark that phrase?), to "OMG just carve out my heart with a rusty spoon right NOW!" tragedy.

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This, of course, is the part where I'm supposed to encourage you, gentle reader, to vote for me as Best Author and for "Untitled (post-The Gift)"  in Best Drabble.  So, um - vote for me and my work if you feel it's genuinely deserved? Whatever. Ok - there, done.  Because honestly? Getting nominated when there are so many fantastic writers in this fandom is the prize for me, the emotional equivalent to a big, warm, gooey cinnamon bun or fat slice of chocolate cake. Personally, I wouldn't put myself first in either category, and that isn't "false modesty". And yet in the past I have sternly scolded friends who made self-deprecating remarks about themselves as writers or their work; why say unkind things about yourself when others will be more than happy to do it for you? I can happily and freely extend to others what I cannot give to myself. Hypocritical, much?

BTW- I used to think that being overly-modest and downplaying one's accomplishments was a "female thing", that girls are just socialized that way. I know better than that now. 
Giles My Fandom is Intellectually Cogent

Potential Rupert Giles Prompt Puppy (don't say "bunny" or Anya will freak, 'kay?)

Has anyone ever written a Buffyverse fic in which Giles, not Willow, becomes the Big Bad? The idea occurred to me not long after reading  the episode notes for WTTH  by  2maggie2

In the Bronze, Buffy sees Giles up on the balcony, and he calls her attention to the others out there dancing -- she’s separate from them, with a duty to protect them.  (The scene gets called back in season six in Dead Things when Spike adds another layer to Buffy’s fundamental separation from others – but it starts here in the very first episode).




Maggie is talking specifically within the context of how Buffy is separated from her friends/family as the Slayer from the very first episode, but her comments brought back the memory of one of my first visceral reactions to the series.  There was something astonishingly creepy about the way Giles is suddenly "there", beside her, an older man next to a 16-year-old girl (foreshadowing Bangel), and I didn't have a "bead" on his character yet. The idea that he would turn out to be a villain who betrays Buffy and isn't what he seems, was as likely a notion as anything else.  All of which turns out to be true and false at the same time: he doesn't turn out to be a villain but he does have a dark past as the Ripper (as does Angel), he does betray Buffy at times (Helpless, LMPTM), he kills a man behind Buffy's back knowing she wouldn't approve (The Gift).  

And when I watched the balcony scene in Dead Things ("Alone in dark with me") my mind was racing back to the parallel scene in WTTH, giving both scenes greater emotional power - foreshadowing squared to th nth egree. The writers surely could not have imagined any of these events when this was written and shot, bu bless* them for knowingly or unknowingly providing the bones right from the start for everything that was to come.

So if I'd had to guess which of the Core Four was most likely to become a Big Bad down the road at the time I was watching S1, I probably would have said Giles.  So it got me wondering if "Giles as the Big Bad" has been done as a fanfiction.  I can't imagine someone in the last 15 years hasn't played with the concept.  If Willow as the Big Bad was fraught with emotional turmoil, the drama and angst of Giles in that role could make LMPTM look like a Sunday cake-walk.

So, gentle flisters - point me the way to one that's already been written, or let that little puppy play around in your head for a while until you come up with something grand. FYI : I've decided to adopt the term  plot puppy  because: it's still a small, cute animal that you can stroke and love and huggle, and it won't upset Anya needlessly. In this case, a puppy with very sharp teeth that isn't nearly as harmless as it looks.

ETA:  beer_good_foamy   and I both ended up rec'ing the same story in the convo thread below,  "All Set Down"  desoto_hia873  , an AU take on The Gift (and as you know I seem to have a kink for those.)  Giles is forced to perform a terrible but necessary act.  It doesn't quite fit the "Giles as Big Bad" criteria but it really is quite good.

** (Yes, I know Joss is an atheist. So am I. Or maybe agnostic. Let's go with "undecided".)

Posted on Dreamwidth http://red-satin-doll.dreamwidth.org/11747.html
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No Rest for the Wicked Awards, and Meta Love - Some fannish thoughts and gratitude

 A couple of weeks ago when I mentioned that my meta "Dopplegangers" has been nominated for Best Meta in the No Rest For The Wicked Awards,  I didn't properly say "thank you".  I had a nice long paragraph of appreciation all typed out on LJ - and that was the week LJ decided to give me shit, and wouldn't let me post more than a couple of sentences. *shakes fist at LJ*

So, thank you very much, Mystery Reader - and I honestly have no idea who it might have been, but it's appreciated all the same.  I don't think what I've written is even in the same league with some of the other meta that have been nominated, but it's a huge compliment just to be in the same category with the other writers there.  And it's especially gratifying because meta, not fanfic, is what got me into this part of fandom on LJ and what really pulled me into Buffyverse fandom for the first time last year; it was the thoughtful essays and discussions that demonstrated to me that what I'd heard - that there was a TV show with academic journals and conferences devoted to it - was no joke.



This is perhaps the first fan awards I've run into that specifically include a category for meta writing.  There are also categories for vids, manips, banners and icons, as well as fics in a variety of fandoms.  The nomination period ends the 31st, so stop over there and spread the love for your favorite fan works.  (It's probably worth mentioning that the nomination periods for the Absence of Light  and the Willowy Goodness Awards  will also be ending soon.  I think all of them still have slots that can be filled in various categories.)



I know fan fiction dominates fandom creativity, in this as in other fandoms, but I think it's a shame not to give meta essays some love and recognition as well, particularly given the fact that Buffyverse fandom is the most academic fandom and intellectual fandom of any tv show.  And while I read TONS of fanfic now, meta is still where my heart is, particularly when the writer combines heart and head, intellectual and emotional responses.   There's Slayage of course, but those papers are addressed to a very specific audience, one that I never became a part of and whose language I cannot access.

I am speaking from a place of my own inadequacy, of course (health monetary problems forced me to drop out of a masters degree program many years ago, and I never achieved the level of education I imagined I would), but there's a need in me to talk and write about the show, to peel back it's many layers, to hear different viewpoints, without feeling like someone is talking over my head.  Which is ironic, given that the refrain I heard time and again from classmates and even my mom growing up was "Why do you have to use such long words? Can't you speak English?"


Karma is indeed a bitch, my friends.


So I never got to reside for very long in that vaunted ivory tower, which isn't so very exalted in reality - I have more friends than I can count who are doing better than I am, perhaps, but still just getting by cobbling together a variety of adjunct teaching positions. But watching BtVS awoke something in me that needed more intellectual stimulation, and meta on LJ, DW and various blogs fulfill that quite nicely.
  • Current Mood: grateful
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New-ish Default Icon

Did I happen to mention that  valyssia  made the default icon I've been using for the last couple of weeks, and that she was most gracious when I asked her permission for it?  I am remiss. This was just so gorgeous I HAD to have it - late-seasons Buffy in blues and purples (my favorite colors) in delicate layers and watercolor tints?  What is not to love? Thanks, hon.
  • Current Mood: exhausted
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More Awardage Joy and Love

I've been nominated for Round 4 in the  Absence of Light Awards  in the categories Best Drabble,    "Untitled (post -The Gift)"  and "Best Author".  Seriously?  I have no idea who nominated me but THANK YOU!  I'm sure I've said it before but the warm reception I've gotten entering this fandom has been amazing to me; and that folks like that story enough to nominate it warms my heart.  Some of the fandom's best writers and super-cool people (in my limited and not-very-humble opinion) have been nominated but all of the categories except Best Author and Best Overall Angst are still wide open; ten nominees allowed per category, and the nomination period ends January 31st.


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If you haven't checked AoL yet, then stop by and fill those remaining slots with your favorite Buffyverse fics on the darker side from 2012. 

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